King Krule – The Ooz album review

Since releasing his debut album in 2013, King Krule has been dropping music under the alliances Archy Marshall, his full name, and Edgar the Beatmaker. However, now he is back with his second piece of work under the label that made him one of the independent music scenes most treasured individuals.

I didnt really know what to expect from Krules following LP; reaching the highs of 6 Feet Beneath the Moon was always going to be difficult, especially given his 4 year absence from the industry. I feel The Ooz proposes a more sophisticated and instrumentally varied track list in comparison to his last album, the Peckham born artist has taken the experimental jazz we loved on A Lizard State and combined it to the post punk of Easy Easy to create an enjoyably gritty soundscape

Personally I prefer the scattiness on tracks like Emergency Blimp to the smooth jazz on Cadet Limbo, but this shows the variation Marshall can bring to an LP. It seems effortless to him and, to be honest, there is no other artist I am more excited to hear from at the moment.

If you have been lucky enough to get King Krule tickets then I am very jealous of you, I lost my phone at Reading when they were released and of course they were all sold out when I got back. So fuck you but also have a good time, will probably be one of the best things you ever get to see, especially at the Koko, Christ almighty.

Rating: 8/10


Mac Demarco//Brixton Academy//31st May 2017

After selling out 2 intimate Electric Brixton shows in under 2 hours, Mac was back in London with two dates at the venues big brother Brixton Academy. Claiming that he hates the size of the venues he plays now, Demarco was about to step up to his biggest London show to date, the demand being so high that another day had to be added.

With a new album out, the multi talented singer/song writer and producer had new material on top of the classics we have seen in ‘Salad Days’ and breakout record ‘2’. This was the only place anyone would be able to catch Mac this year in England; this excitement channeled throughout the crowd of sweaty teenagers. The temple like walls of Brixton Academy suited the god like stature Mac has been given by his fans; they were about to witness a gig like no other.

Kicking off with the infamous ‘Salad Days’, Mac proceeded to play a hyperactive set; his personality almost hamster like as he scurried from one side of the stage to the other chewing through his groovy guitar riffs. Having family watching you may daunt some artists but not the Duncan born lad, he set up a table for his Cousins and friends on the stage, as well as inviting them to sing Vanessa Carlton’s 1000 miles. For anyone else this would have been cheesy but Mac just has a knack that makes anything seem okay.

‘My Kind OF Woman’ and ‘Ode to Viceroy’ featured, with ‘For The First Time’ and ‘Chamber Of Reflection’ giving the audience an excuse for a good old synthy jive. It was a great mixture of the Artist’s discography and with the chaos caused by his crowd surfing and Vans chucking, it is safe to say it was a night neither Mac or his fans will be forgetting.

Mac Demarco headlines End of the Road Festival this August/September.


The Wytches + Weirds//Portland Arms//19.04.2017

For the past year or so, I have been dying to see the Wytches. So when they announced that they would be playing at Cambridge’s finest pub The Portland Arms, I had to get down there. Blessing us with their divine blend of distorted psychedelics and shuddery lyrics, the 4-piece tore down the beer dampened walls of the venue.

But first was Wierds, a band that I hadn’t really heard of but knew would be half decent if they were supporting the Wytches. I have to say I was blown away by their raw energy and echoing effects, it was like nothing I’ve heard of before and definitely shocked the speechless crowd. They have an album coming out in May, which will be worth a listen considering singles like ‘Phantom’ and ‘Valley Of Vision’ are gaining some much deserved attention from stations like Beats Radio.


Next on were of course the Wytches, who played to a packed out Portland crowd that were more than up for a riot. Kicking off with Gravedweller, an absolute classic on their behalf, the energy never really stopped, with the crowd loving the belters on their ‘All Your Happy Life’ album, as well as ‘Annabel Dream Reader’, and even bloody brilliant b-sides like ‘Darker’ and ‘Holy Tightrope’. It was a surprise to see them play such a varied set in this sense but I couldn’t have asked for a better selection, they powered through the tracks, giving the audience little rest.

The Wytches

I got the impression that the crowd hadn’t witnessed something as raucious as this in a while, which made them even more up for the gig. The energy from the band pulsated to the audience, the lad’s hair covering their eyes as they shredded through the numerous guitar riffs they offer. It was a great night and one that the Portland Arms won’t forget in a while.

I also have an interview coming with them soon so be sure to check that out.


It is hard to believe that after a stunning second LP and equally as amazing EP, to coincide with the record, Flume wasn’t finished. But now the Australian producer has released something so extraordinary I can hardly type this review and contain my excitement. To companion his first companion EP, the Grammy and multiple Aria award winning electronic artist has dropped yet another 4 tracks that are heavier, spacier and as bass bulky as ever.

Starting off with an exasperating tune featuring the unsurprisingly impressive Pusha T, Flume combines his intricate nature enthused synths with the growling vocals of one of the worlds most respected rappers and makes a truly heart pounding, gritty explosion of textures. Listening to Flume makes you feel as if you are in a completely new universe, one so out of the ordinary that you hardly know what to do with yourself, both ‘Weekend’ and ‘Depth charge’ are no different. I feel as if some of the hooks hark back to his debut album, which is anything but a disappointment.

The artwork of the EP expresses what seems like a darker side to the music Flume was putting out in 2016, the majority of the tracks express this as well, especially the ending number featuring Dave from ‘Glass Animals’. As two of the most interesting artists currently out there, it was only a matter of time before they collaborated, it is truly unbelievable to think that these tracks were only really considered as B-Sides to the actual album but Flume treats us well, fulfilling our tropical electronic needs.

Go and check out what is one of the best musical projects to drop so far in 2017.

RATING: 9/10

VANT: Dumb Blood Album Review

VANT are one of the most politically driven indie rock bands to have risen from the recent surge in alternative music. Fronted by Matty Vant, the outfit have been releasing singles for a couple of years now, with a few making the cut for the final record. ‘Do You Know Me’ and ‘Parking Lot’ are two of my favourite tracks they have dropped and I feel they add an extra thump and dimension to their debut LP.

You can tell that this has been an album long in the running for the four piece and one they have put their heart and soul into recording. VANT are a band that simply care, whether this is about the broken political climate our world is in or the music they produce. Lyrically, the band are statement driven and seem to raise an issue in every number, ‘I don’t believe in God’ and ‘Peace and Love’ show this as much as any of their tunes.

The album kicks off with a minute long blend of ferocious guitar fuzz and amplified bass lines, showing their musical capacity as well as lyrical complexity. The opening track is called ‘The Answer’ and references the despair of UK-US involvement in the Afghanistan and Iraqi wars.

Ambitious, Important and truly raw, the tracks will go down a storm in their already raging live set, an album like this has been long in the waiting for their fans, but definitely worth it.

RATING: 7/10

Top 10 albums of the year

10. Red Hot Chili Peppers – The Getaway

Kiedis and Co are certified rock legends and 2016 saw the release of their 11th studio album, which was a huge step up from their disappointing 2011 release ‘I’m with you’. In tracks like ‘Goodbye Angels’ and ‘Dark Necessities’ we get the funk aesthetic that we crave from such a prestigious band, if you haven’t already go check out the album, especially those tunes.

9. The Wytches – All Your Happy Life

Back with their second full length LP, the Wytches have diversified their sound and created a ghostly new record full of shrieking melodies and fascinating instrumentation. Tracks like ‘C-Side’ and ‘Ghost House’ are my personal favourites; seeing the new material live was a madness too.

8. Eagulls – Ullages

An anagram of the band’s name, ‘Ullages’ is an album that would be sinful to not listen to all the way through, it is a modern take on some 90s classic indie and truly develops their own sound, if it wasn’t unique enough already. Go listen to ‘Lemontrees’ and ‘Skipping’.

7. Kaytanada – 99.9%

This is one of the best albums I have ever heard from the mind of a self-confessed ‘Producer’. On the strongest debut LP of the year, Celestin shows he is much more than what he is labelled as, he is a true artist and one of the most important figures currently in world hip hop. Listen to ‘Drive Me Crazy’ and ‘Got It Good’.

6. Glass Animals – How to be a human being

Bringing even more tropical vibes to the world, Glass Animals second LP was highly anticipated and it didn’t fail to impress. Based around true stories that Dave Bayley heard from strangers he got talking to last year, the album exposes the realities of life in a way only Glass Animals could. Listen to ‘Pork Soda’ and ‘Youth’.

5. Flume – Skin

Harley Streten’s second album has proved he is one of the most gifted and intriguing electronic artists to have emerged from the broad landscape of electronic music. Collaborations with Vince Staples, Vic Mensa and even Beck shows just how versatile he can be in his production, check out ‘Helix’ and ‘Smoke and Retribution’.

4. Jamie T – Trick

An alternative idol, Jamie Treays released his latest LP back in September. Full of future classics, ‘Trick’ is a grittier album than the cleanliness of ‘Carry On The Grudge’, it truly establishes the rapper-songwriter-producer as a one man genre and thankfully he still hasn’t left the talent he possesses with his sampling. Go check out ‘Tinfoil Boy’ and ‘Solomon Eagle’.

3. Danny Brown – Atrocity Exhibition

The Detroit born mentalist that is Danny Brown dropped the most ambitious and experimental album I believe he ever has this year. Inspired by everything from Joy Division to Rage Against The Machine, this LP isn’t for the faint hearted but is one of the most important releases in modern rap, listen to ‘When It Rain’ and ‘Pneumonia’.

2. Skepta – Konnichiwa

2016 saw many album releases from the grime greats, whether it was Giggs or Kano but since its discharge, there hasn’t been a day gone by where I haven’t listened or heard a song from ‘Konnichiwa’. It was definitely one of the most anticipated British albums of the year and Skepta did not disappoint, as he rarely does. Just listen to the whole thing.

1. Slaves – Take Control

If you know me well then you are probably thinking this is the most cliché number 1 I could have chosen but the roar punk energy of Slaves is something that no one can get near to at the moment. Produced by Mike D and perfected by Isaac and Laurie, it is an album of nothing but straight up punk bangers. Features from the likes of Baxter Dury just tops the record for me and makes ‘Take Control’ slightly more versatile than what ‘Are You Satisfied?’ was, you have to check out this album, buy it for yourself and everyone this christmas.

King Gizzard and the Lizard Wizard share new track ‘Rattlesnake’

Pioneering the new wave of psychedelic rock, King Gizzard have released yet another song; it’s getting hard to keep up with all of their new material. In fact the Aussie boys claim that they will be releasing five albums in 2017 alone, how? I have no idea; singer Stu Mackenzie reckons he will “lose my mind by the end of the year” and if he doesn’t then I would be very impressed.


As for the tune itself, it is 8 minutes of scuzzy bass lines, restless rhythms and even the occasional harmonica. I managed to catch their set at Latitude a couple of years back and it was one of the maddest sets I’ve seen to date, the members had to be crammed on the stage but that didn’t stop them from creating a dusty rout. Mackenzie and co have also released an unbelievably trippy music video to coincide with the psychedelia of the song so you can check that out below.

You can preorder King Gizzard and the Lizard Wizard’s 9th studio album ‘Flying Microtonal Banana’ here

Listen to Superglu’s new song ‘Dreams’ here.

Playing Reading and Leeds and Latitude this year, whilst amplifying their playful punk rock sound, the 4 piece are starting to gain the attention that they deserve. DJs in the calibre of Huw Stephens have been supporting Superglu for a while now and the charismatic outfit have just dropped a new track that will hopefully carry on their rise in the world of music.


‘Dreams’ oozes in modern punk rock melodies and screeching vocals, about ‘bb guns’ and ‘Rollerskating’; it is impossible to not like this song. I remember hearing it faintly in the distance after coming out, half dead, from the Cage The Elephant set at Reading and I just wish I had enough energy to go and catch the end of them headlining the introducing stage. Not going is a decision I am now hugely regretting.


Anyway go and check out their new single, it has energy and visceral guitar hooks in abundances so if you need waking up this morning just click the link below, the song is premiering on Gigslutz right now.

Premiere: Superglu – ‘Dreams’

Jamie T + The Wytches // Cambridge Corn Exchange gig review 22.10.16

Getting Jamie T tickets all the way back in July meant that it was only this week that it hit me I was going to witness one of the best live performers to come out of the UK in recent years. With a new album under his belt and The Wytches as part of the package I was anticipating a storming night, and it truly was.

Kicking off with the Wytches, the band slammed through 30 minutes of their most thrashing tunes, including the likes of ‘Gravedweller’ and new thunder bolt ‘Ghost House’, which is my favourite cut from ‘All Your Happy Life’. Both the new and the old  tracks were fairly well received, how can you not enjoy 4 long haired lads head banging and busting out grungy riffs? However at points I felt as if the crowd didn’t give them the reception they deserved but for me, who was just as thrilled to be watching The Wytches as Jamie T, it was a brilliant performance and one that’s edged me even closer to buying a ticket for their upcoming tour.


Next up was the infamous Jamie T who had a crowd surprisingly varied in age. From 17 year olds to 30 year olds to even 50-60 year olds, there was a true variation in generations but the one similarity we all had was we all went absolutely mental for the Wimbledon born boy. Setting the bar with new track ‘Power Over Men’, the most popular song from ‘Trick’, the audience were up for it throughout. ‘Tescoland’ and ‘Tinfoil Boy’ were equally as well received from the new LP but of course it was the classics like ‘British Intelligence’ and ‘Sticks and Stones’ that summoned a riot at the Corn Exchange. Everyone belted out the ballads too, my personal favourite being ‘Don’t You Find’. Adding to this, the light show was amazing, with glaring spotlights descending onto Treays’ body making him look like a haunting silhouette.

jamie t live.jpg

After being ill only a week or so ago I just cannot believe how good a performer Jamie T was. This had to be one of my favourite gigs of the year and one I won’t forget. If you ever have the chance to see either Jamie T or The Wytches live be sure to grab the opportunity because otherwise it will be a decision you’ll regret.

Want to see a clip of Jamie T live? Just click below.

Forever Cult air new track ‘See Thru’

Signed to ‘Clue records’, Forever Cult are a three piece hailing from Leeds known for creating a grungy racket. Their sound could be likened to the sludgy tendencies of Eagulls, they share the same thumping basslines and crunching guitar riffs so if you are a fan of their fellow Leeds mates then you will love these lads.

‘See Thru’ follows the release of single ‘Tunnel Vision’, which has a quirky music video where the band make a corner, of what looks like a living room, into a makeshift tropical beach. You can see what I mean down below. The fuzzy/tonal guitar riffs reminded me of the band Nai Harvest, who have unfortunately called it a day,  so if you liked the Sheffield duo you should be checking out Forever Cult.

Tearing their way through tours and festivals, the outfit’s new song will go down a treat at future gigs and cause even more mayhem than their shows have been recently. Lead singer Kieran screeches ‘It’s not my problem’ in a thunderous chorus; heavy in trembling drums and their signature guitar tone. ‘See Thru’ will only be available on cassette so if you like the song, and want a hard copy, you will be lucky to grab one but give the tune a listen below. It’s well worth it.

The band are also going on tour this November: