Music

15 bands you simply cannot miss this year at Glastonbury

Posted on by feedamusic

Whether you are watching Glasto on the TV or you were lucky enough to snatch a ticket within the hour in which they sold out, we’re always spoilt for choice when it comes to the variety of talent on offer. Here are 15 artists that I believe are definitely worth a watch.

1. Skepta

As the pioneer of the UK grime revival, Skepta has certainly been making a name for himself and his craft over the past couple of years and coming off the back of his latest album ‘Kannichiwa’, there will be a great blend of grime classics and new bangers. Expect Skepta to bring out members of his ‘Boy Better Know’ crew and the sheer energy that they will bring to the stage could insight a riot at Worthy Farm. Jammer, JME and Frisco could all feature and create a moshpit that death metal bands like Anthrax would be afraid to see.

Listen to: ‘That’s not me’, ‘Man’ & ‘I Spy’

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2. PJ Harvey

Mesmerising would be an understatement for Harvey’s latest headline spot at Field Day Festival. This year the artist is on the ‘Other Stage’ at Glastonbury and after stunning Worthy Farm on so many occasions there’s no doubt that she will do it again. Titled ‘The Hope Six Demolition Project’, hopefully PJ Harvey’s new album will only add to her unmissable live set and with 10 other records, it is hard to believe that her slot will only be just over an hour. Nevertheless it will be incredible and one of the best performances on Sunday.

Listen to: ‘The Wheel’ & ‘Down By The Water’

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3. The Last Shadow Puppets

Miles Kane and Alex Turner are coming to Glasto after the release of their second LP ‘Everything You Have Come To Expect’. With blends of orchestral genius and catchy bass lines, as heard in recent single ‘Bad Habits’,  the feeling of a stadium filled gig will be brought to Worthy Farm. You never know, Turner and Kane could treat us to some Arctic Monkeys covers too.

Listen to: ‘The Age Of The Understatement’ & ‘Bad Habits’

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4. White Denim

The cult following of White Denim seems forever growing and with 6 albums now under their belt, there’s something for any rock fan to enjoy. As one of the heavier bands on the bill, if you’re looking for an antidote to tamer artists such as ‘James’, then this outfit are definitely what you need.

Listen to: ‘Mess Your Hair Up’ & ‘Pretty Green’

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5. Vince Staples

Since the release of ‘Summer ’06’, Staples’ debut album, the Californian rapper has become huge among the alternative hip hop scene. Collaborations with the likes of Earl Sweatshirt and more recently Flume shows just how versatile of a rapper he is and with bass heavy tracks like ‘Blue Suede’, it is no wonder he is fast becoming one of the hottest American urban artists.

Listen to: ‘Norf Norf’ & ‘Blue Suede’

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6. Grimes

It is hard to categorise this singer/producer’s music under one genre but her innovative take on art pop is definitely worth catching. If Grimes’ KEXP set is not enough to intrigue you then I don’t know what is, at Glastonbury she will be performing with more of a stage presence of course but her show on KEXP just emphasises how far she has come in the space of 4 years.

Listen to: ‘Flesh Without Blood’ & ‘Oblivion’

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7. Hinds

Hailing from Madrid, Hinds are an indie/garage rock band that have burst onto the alternative scene over the past year. The 4 ladies played the John Peel stage last year and it’s no wonder they have been booked again, they are certainly ones to watch this year following the release of their debut album ‘Leave Me Alone’.

Listen to: ‘Bamboo’ & ‘Chili Town’

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8. Mac Demarco 

Signed to ‘Captured Tracks’, Demarco has released 4 records and hasn’t looked back. His meteoric rise continues with fans across the globe worshiping his twangy, dreamy indie rock. Forget Drake, Mac Demarco is the best artist to come out of Canada in recent years, his quirkiness and natural humour make his songs like no others, he is one of the only guys that you can safely say has a unique sound to his art at the moment, if you’re going to Glastonbury you really would be stupid to miss him. He may even lay down an ‘Enter Sandman’ or ‘It’s Gonna Be Lonely’ cover.

Listen to: ‘Ode To Viceroy’ & ‘Passing Out Pieces’

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9. Bat For Lashes

Natasha Khan is a multi-instrumentalist and song writer. With Mercury nominations and 3 studio albums, she now has a catalogue of songs to dive into and on stage, she has a real presence. If you want a more chilled out approach to Glasto then nothing could be better than Khan and her shrilling vocals – her talent is undeniable.

Listen to: ‘Laura’ and ‘Daniel’

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10. Rat Boy

There’s a lot of hype around Jordan Cardy and his bandmates, with influences from hip hop collectives like Wu Tang Clan and rock stars like Beck, it is always intriguing to see what his set has to offer. An album is expected later this year so new material could be on the horizon, his gigs are unbelievably rowdy and if he can bring that atmosphere to Worthy Farm then literally anything could happen.

Listen to: ‘Left 4 Dead’ & ‘Sportswear’

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11. Mura Masa

Listed for the BBC ‘Sound Of 2016’ award, it is only a matter of time before the producer from Guernsey will be touring like mad. His set could be dark and devilish or mesmerising, Alex Crossan’s music goes all kinds of places, ‘ Soundtrack To A Death’ is an unbelievable mix tape and switches from beautiful beats to sinister hooks constantly. He is one of the best English electronic artists out there at the moment.

Listen to: ‘Bae’ & ‘Lotus Eater’

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12. Stormzy

The Croydon born grime mc had the biggest UK rap song of the year in 2015, ‘Shut Up’ was originally a freestyle in a park but it blew up so much that Stormzy released it as a single where it peaked at number 8 in the singles charts. At the age of 22, it is hard to believe that the rapper has already won 2 MOBO Awards and come 3rd in BBC’s sound of 2015. The energy and passion that ‘Wicked Skengman’, one of his many nicknames, will bring to Worthy Farm will be incredible and definitely worth a watch.

Listen to: ‘Know Me From’ & ‘Not That Deep’

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13. Foals

The rock outfit from Oxford are probably the most exciting English band you could come across at the moment, and their live set is no exception. Many would tip Foals as future Glasto headliners and if they carry on with music as good as their last album then no one will be able to stop them from topping the bill in years to come. ‘What Went Down’ was easily one of the best albums of 2015, the mix of raging guitar riffs and the occasional blissful synth is a real insight to just how far Foals have come since debut LP ‘Antidotes’ and how far they could potentially go. Expect a lot of moshing, screaming and crowd surfing, from lead singer Yannis Philippakis.

Listen to: ‘What Went Down’ & ‘Inhaler’

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14. 2 Door Cinema Club

This will be the Irish band’s first major UK festival appearance for sometime now. They last played Glastonbury 3 years ago but they’re back and should be well up for this one. A new album is in the midst and a new single was released last week so fresh material will surely be debuted at Worth Farm. Singles like ‘What You Know’ should summon madness at Glasto and warm everyone up for the rest of Friday.

Listen to: ‘Something Good Can Work’ & ‘Undercover Martyn’

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15. ZZ Top

Incredible beards, blacked out sunglasses, cowboy hats and leather jackets; the Texas rock band have it all. Playing what is now known as the Motorhead slot, Dusty Hill and co will be sure to put on a set like no other this year at Glastonbury. They are probably past it but so what? To hear hits like ‘La Grange’ live is a prospect like no other, the Texan trio’s  music is just as impressive as their facial hair, expect ZZ Top to be the set that everyone talks about after Friday.

Listen to: ‘Tush’ & ‘Gimme All Your Lovin”

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The Wytches release new EP ‘Home Recordings’

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The Wytches have been lurking around the British grunge scene for sometime now and ‘Home Recordings’ is their second EP release since their debut album ‘Annabel Dream Reader’. Preferring to record all their music in analogue, their is no band that sounds quite like the Wytches at the moment, their raw energy and unique mix of guitar enthused melodies and thumping bass is enough for any musical hipster to puff out their cheeks.

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The record starts off with the leading track ‘Who Rides’, an undeniably dark and distasteful tune but one that is unbelievably infectious, Kristian Bell’s versatile vocals merge brilliantly with the slightly psychedelic guitar rhythms that seem so recognisable now from the band. This is definitely my favourite song on the EP and will surely go down well at the Wytches’ upcoming shows, including a gig in Manchester with King Gizzard & The Lizard Wizard, an Australian psychedelic outfit; it’s worth going to see them for their name, let alone how amazing their music is.

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‘Cough/Cool’ maintains the ferocity of the record but ‘Canât Show How’ converts the mood to one of a more sinister nature. The subtle lead breaks in the song distinguishes it from many of the others and separates the track in a way that many of the singles on ‘Annabel Dream Reader’ did, like ‘Fragile Male’ and ‘Wide at Midnight’.

The tone at the end of the EP seems different to previous releases from The Wytches, especially in the track ‘The Gaging Eye’. With a piano being favoured to the usual guitar rhythms, you feel as if you’ve just come out of a scene from the Mighty Boosh but, as stupid as that sounds, it is in fact a compliment; it’s a change from the Brighton/Peterborough based band and one to be admired rather than dismissed.

If you have a spare 20 minutes to mourn over the horrible English weather, which i’m sure you do, on what is meant to be the official ‘first day of summer’ then go and check out this record, it’s one of the best released so far this year.

Rating: 8.5/10

Songs of the Week 03/04/16

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This week has been another great week for music with highly anticipated releases from rock revivalists Royal Blood and even an album from the the Last Shadow Puppets, a project curated by the bromance of Miles Kane and Alex Turner.

1. Inevitable Daydream: ‘Gunblade’

I only found out about this psychedelic/grunge band the other day when I stumbled across their Soundcloud. After a bit of researching I found out that they had released a new single this week, promoted by DIY magazine, and ‘Gunblade’ is a ghastly, sinister follow up to their previous release ‘Brown Acid’.

Starting with twangy guitars and developing into fuzzy carnage, the band could be compared to a hardcore King Gizzard and the Lizzard Wizzard or an even dirtier version of the Wytches. This song is 3 minutes of sheer brilliance and one that has to be checked out this week, you need this in your life.

click here to listen to the track

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2. Royal Blood: ‘Where Are You Now?’

Luckily this is not a cover of the depressingly popular Justin Bieber track, but yet some new material from one of rock’s biggest hopes. Contaminated with filthy, infectious bass riffs that could be likened to Black Sabbath, ‘Where Are You Now?’ is infested with slamming drums and more obnoxious lyrics than past material.

Expressing no huge change of direction from their self titled debut album, Royal Blood have chosen to stick with their previous sound but it doesn’t really matter as the band’s prominent rock licks are already so perfect that they do not need to be tweaked. With an album sure to come out this year, who can’t be excited for new material from one of the best bands in modern British music?

 

3. Black Honey: ‘All My Pride’

If ever there was a song that sounded like a scene from a film, this would be it. In fact it’s fair to say all of Black Honey’s releases have been slowly creating what seems like their ideal cinematic experience. More developed than previous tracks, ‘All My Pride’ sounds like the most musically complex song from the band, with subtle lead guitar breaks that Dick Dale would be proud of and an all round heavier sound.

The band from Brighton are on the up that’s for sure, songs such as ‘Madonna’ and ‘Sleep Forever’ cemented some early success for the outfit and they don’t seem done yet. An album is surely in the midst and with so many festival dates they’re only going to get better and better.

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4. Beach Baby: ‘Lost Soul’

If Mac Demarco and Only Real’s music had a baby, this is probably what the outcome would be. Loaded with dreamy synth and instantly recognisable guitar hooks, Beach Baby are really making a statement in 2016 with yet again another brilliant single.

Beach Baby have quite a few festival and gig dates coming up in April and May, including a set for the Great Escape in Brighton and some shows as part of their first ever headline tour. Songs like ‘Lost Soul’ will go down a treat at these gigs and they are a band that simply cannot be missed in 2016.

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Tracks of the Week 27/03/16

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This week has seen a variety of bands debuting music from new projects and albums that are set to drop later this year. I thought I’d share a couple of my favourites from 5 artists that really grabbed my attention.

  1. Bloody Knees- I want it all

Bloody Knees are a grunge/punk band from Cambridge that have released a couple of EPs over the years; ‘Stitches’ is my favourite and expresses 20 minutes of gritty guitar licks and shrilling vocals from frontman Bradley Griffiths. They’re an outfit that could be compared to Birdskulls and Demob Happy – two more alternative punk/grunge bands that are slowly making a name for themselves in the world of music.

This song however sounds more sophisticated than their other releases, with the length of the track being nearer to 5 minutes than their normal short and sharp 3 minute songs. The start of the song has a similar guitar tone to previous releases but the catchy chorus is louder and more in your face than before. Griffiths’ vocals are slightly more tamed too but this doesn’t take away the naturally thrashing sound of the guys.

2. Parquet Courts- Outside

Toning down from previous releases and using more instrumentation rather than focusing on lyrics, Parquet Courts’ short length track ‘Outside’ is extremely infectious and will leave you wanting more. The track uses pianos to back up the rhythmic guitar riffs and, unsurprisingly, it works really well. The album is shaping up nicely with Courts also having released songs ‘Dust’ and ‘Berlin got Blurry’; ‘Dust’ is definitely my favourite but I’m loving all of the new material from the band.

3. SBTRKT- Let Them In

I have been a fan of this electronic artist for a while now and I think SBTRKT is only getting better and better.  His music is constantly evolving, becoming more complex and using various synthesisers to open up new soundscapes and different musical parallels.

This song comes from SBTRKT’s new project ‘Save Yourself’ which is Aaron Jerome’s feelings on modern society, whether that is racism or politics. ‘Let Them In’ is one of the darker tracks on the project but its pulsating patterns and contrasting electronic synths merge to create the best track for late night headphone raving ever. It is completely different to earlier track ‘Ready Or Not’ but no song is ever the same with SBTRKT and I guess this shows how broad his thoughts on society are.

4. Kendrick Lamar- Untitled 07 levitate

This song does not feature on Kendrick’s ‘Untitled Unmastered’ album but it is certainly good enough to. I’m new to liking Lamar’s music and this song is certainly the reason why I came around to his musical innovation. Touching on many social issues in his lyrics about his home roots and his rise to success, Kendrick proves to be one of Hip Hop’s biggest lyrical hopes.

‘Untitled 07 levitate’ is undoubtedly depressing and has drill-esque instrumentals but also funky synthesisers whirring around Lamar’s soothing, childlike vocals. I actually prefer this song to any of the tracks on ‘Untitled Unmastered’ so this is a track definitely worth checking out.

5. Abattoir Blues- Tell Me

This track only came to my attention yesterday night but it was way too good to leave off my songs of the week. The psychedelic guitar riffs and screeching vocals make this such a massive, stadium filling song; how this only has around 500 plays on Soundcloud is beyond me. Abattoir Blues are from Brighton and therefore face competition from the likes of Black Honey and The Wytches when trying to claim alternative status in the area but if they keep producing tracks like ‘Tell Me’ then they’ll be up there with the rest of them.

Review Ho99o9: Blood Waves

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Ho99o9 are one of punk’s biggest hopes, whether the genre needed a revival or not we have  one in this duo and I’m loving every second of their music. Their fusion of hardcore punk and hip hop is monstrous and shows there’s still an alternative, underground scene in L.A and New Jersey. TheOGM and Eaddy have been praised since their formation in 2012 and they have toured with the likes of Slaves in recent times. Their live show is meant to be incredible and one of the deadliest around at the moment, with Eaddy often moshing with their fans who have become a cult following of the band since their early releases like ‘Casey Jones’ and ‘Cum Rag’.

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This song is one of Ho99o9’s best yet, a blood-curdling, 3 minute, social sucker punch involving unnerving, distorted guitars and slashing drum patterns. The music video is equally as horrifying, but in a good way. Working with Converse, the outfit created a creepy luminous paint infestation in some sort of warehouse. The video is said to be interactive too with it changing due to the lighting of your room. At 2 minutes you think  ‘Blood Waves’ is all over, ending with a piercing screech but after this minor interlude you are pushed straight back into the mix of thumping guitars and typical punk vocals from Eaddy.

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This is the best punk song to land in 2016 so far, I’ve got a head ache from the amount of head banging it has caused me.

Rating: 9/10

 

Ho99o9’s Dead Bodies in the Lake mixtape…

Massive Attack: Ritual Spirit Review

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To say I was excited about this EP would be a huge understatement, 6 years waiting to hear new material from a band is too long; especially when the group is as good as Massive Attack. The Trip Hop outfit have been around for a while, pioneering the 90’s Bristol scene since the release of their first album in 1991, their dramatically atmospheric dynamics are always intriguing, often failing to feature a chorus and preferring lavish orchestral arrangements.

The EP starts off with the track ‘Dead Editors’ and features the fantastic Hip Hop artist Roots Manuva. The sinister baseline and percussion is like a drug, incredibly addictive and hugely complimentary of Manuva’s dark lyrics. Massive Attack then move on to a song that is more to their classic sound, it features Azekel and carries on the slow tempo of the EP. In 2010 Grant Marshall rejoined the group and vowed to “bring back the black to Massive Attack” which he evidently has in this album as it sounds like one long, infectious tribal dance.

One of my favourite features on the album is Young Fathers, an electro pop group from Scotland who, in the past 3 years, have toured relentlessly, released 2 albums and won a Mercury: not bad if you ask me. The cut they feature on is called ‘Voodoo In My Blood’ and it sounds as if Young Fathers had a say on the instrumentation too; it’s fair to say that the mix of the two artists couldn’t have worked any better. The album ends in style with Tricky  being the last to have vocals on the record. The lyrics are undeniably devilish and it’s a real throw back to the days of ‘Blue Lines’ when Tricky was still in the band.

This is an EP you must check out, it’s easily the best record to drop so far this year.

Rating: 9/10 (Would have been 10/10 but it wasn’t long enough)

If you like this then you’ll love this…

R.I.P Viola Beach

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Today brought the tragic news that up and coming indie band Viola Beach had died in a car crash whilst in Sweden. Hailing from Liverpool, the group were meant to be touring with bands like Blossoms this year and playing gigs in the Brighton Concorde and even the BBC Introducing stage at SXSW, all potentially defining moments for the boys.

It came as a shock to the world of music and many bands have left their condolences for their friends and family: Peace, The Courteeners and Jack Garratt all took to twitter to pay their respect. As well as the band, their tour manager Craig Tarry was in the car that fell 80 feet off a bridge and into the canal. It is devastating to hear of such a tragedy especially as we have lost the likes of David Bowie, Lemmy and Glenn Frey in the past month. The band from Warrington released an ep last month featuring the tracks ‘Boys That Sing’ and ‘Like A Fool’, two very catchy songs and both great follow ups to their debut single ‘Swings and Waterslides’. These songs were not the only signals of their coming success – they were praised regularly from Radio 1 and DJs like Huw Stephens who highlighted the 4 piece as one of the rising stars to watch out for in 2016. This recognition then lead to the band recording a session in the famous Maida Vale studios in November 2015.

The band had just played a music festival in Sweden called ‘Where’s The Music’ in Norrköping and Psykofant, a 5 piece punk outfit, hailed their set: John Hugo said “they gave an amazing final performance”. Compared to the likes of The Beatles, there is no doubt that Viola Beach had a huge career ahead of them and although they’re lost, the band will never be forgotten among Liverpool’s thriving indie scene.

Respect goes out to the family and friends of Kris Leonard, 19, River Reeves, 19, Jack Dakin, 24, 27-year-old Tomas Lowe and Craig Tarry, 32.

 

 

NME Awards Tour – Cambridge Corn Exchange

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Bugzy Malone

Not a lot needs to be said about Bugzy Malone, his Manchester grime aesthetic has been hailed nationally for the past year and live, he arouses what is an intentionally provocative atmosphere that sends grime fanatics into madness. Fans continuously chant back his lyrics, jiving and moshing to what has now become so recognisable as the sound of the North/South London underground scene, with the likes of Wiley, Skepta and Stormzy creating global recognition for the genre.

The Corn Exchange seems like an unlikely venue for Malone but from the start he creates what looks like a cathedral into a sweaty, underground club- dark and dingy, but with a friendly and tribal atmosphere. A few days ago Bugzy released his new single entitled ‘Mosh Pit Gang’ and the crowd welcomed it gratefully into the setlist, dancing in time to the typically grime orchestral rhythms and heavy beats. Throughout the performance, the energy of Bugzy Malone was quite frankly incredible and it showed that the Grime revival is here to stay and be welcomed into modern British music. Tracks in the calibre of ‘Wasteman’ went down particularly well and, unfortunately for Chip, many of the war dubz aimed at him were well received and chanted back to the front man.

Rating: 6/10

RAT BOY

It seems as if every critic is saying that this year will be RAT BOY’s rise to prominence and   with increasingly obnoxious and catchy tunes it is hard to disagree with them. Teenage fans amble towards the stage but it is not long before they’re chanting Cardy’s name, urging the indie teen idol on stage with the rest of his band. When watching Jordan and his mates, Liam on bass, Harry on Lead Guitar and midi pads and Noah on drums, it is hard to believe that they haven’t even been performing live for a year. Their performance is tight with timing issues nowhere to be seen.

Cardy comes on to the stage with a roar from the crowd, all bursting to dance to the first track, which ironically is his new single, ‘Move’- a tune bursting with catchy lyrics and a ‘Beastie Boys-esque’ backing track. RAT BOY also showcases a couple of new songs, one called ‘Knock Knock’, that features on his neighbourhood watch mixtape, and another, ‘Scum’ which will be the title track from his debut album (yet to have a release date). The crowd erupt when experiencing his two lead singles live, with ‘Sign On’ being a crowd favourite and one of the best indie/punk songs of 2015. ‘Sign On’ airs a Blur and Jamie T fusion but stays well and truly under Cardy’s hiphop groove that has become so apparent in his music. He conveys this brilliantly in his live show and proves to be a great front man, often interacting with the audience and signing pieces of merch, including my Drenge tee-shirt… which he politely crossed out to replace with “RAT BOY” and one of his  trademark drawings. The rise of RAT BOY is somewhat of an inevitability and if he carries on producing spectacles like this one, he is sure to have one of the hottest debut albums of the year.

Rating: 8/10

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Cheers RAT BOY

 

Drenge

Drenge have to be, without trying to sound like a 99p Zane Lowe, one of the most enthralling and vicerol live acts I have ever witnessed. The scuzzy, pounding electric guitar and bass compliment the thrashing drums from Rory Loveless who looks, from a distance, like a young Dave Grohl. They start their set off with ‘Never Awake’; a song expressing an emotional struggle but still the audience chant the lyrics back whilst angrily moshing away to the grungy belter. They mix their set perfectly, switching between their self titled debut and ‘Undertow’, which received 9/10 from NME. ‘I Wanna Break You In Half’ was a personal highlight as, although the track barely makes two minutes, it whipped their fans into a frenzy, with the guitar riff being a big kick in the teeth to many other so called “British Rock Bands” out there at the moment.

For 40 minutes the crowd are thoroughly entertained in a sweaty spectacle produced by the best live band currently in Britain. The circle pits expand as the set goes on with more enthusiasts joining the mix and finishing with one of the most perfect finales I have ever seen. Eoin, Rory and Rob, also from the band Wet Nuns, end with ‘Lets Pretend’, which seems to be their favourite to end with. Watching ‘Fuckabout’ was an experience in itself with the fans halting momentarily as if they were possessed: chanting the lyrics back at the band. If you have the chance to see Drenge this year then it is an opportunity that really can’t be missed and they truly deserve to be one of the best bands in Britain at this point in time.

Rating: 9/10

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Bloc Party

With a turn of musical direction in their new album, as well as a new looking line up, it was interesting to see how Bloc Party’s live set would change and how the crowd would react. As ever, Kele Okereke and Co produce a performance that is compelling and shows they still possess the energy they had in 2003. ‘Hymns’ came out a week ago and many of the songs on the album seem to have adapted well to the setlist, with new single ‘The Love Within’ creating a surprisingly wrathful mosh pit; despite its more dancy nature.

It is easy to forget how many hits Bloc Party have, the set predominantly features classics from their first three albums but songs like ‘Octopus’ from ‘Four’ summon the audience to go insane, bouncing up and down in time to the instantly recognisable vocals of Kele. Middle Aged men and Teens united to celebrate one of the most innovative British bands of the 21st Century.  A great array of historic merch was on display too, with adults digging out their tight and old ‘Silent Alarm’ and ‘Intimacy’ tee shirts. This is the type of atmosphere any band would relish and luckily for Bloc Party they had energy in abundance to feed off and transfer into their live performance.

Normally encores consist of a couple of songs, a mediocre track that only a couple of people like and the band’s most famous song. However this was not the case for Bloc Party as they finished with 4 songs, including three of their most acclaimed tracks: these of course being ‘Flux’,’ Helicopter’ and ‘Ratchet’. To end on such a high was a treat for a thoroughly entertained audience and it was almost as if everyone wanted an encore of an encore and why wouldn’t they? They had just seen one of the best British indie rock bands of our generation.

The NME Awards Tour was a massive success, uniting people of all ages in the same venue and it was nice to see Cambridge being put on the map, as a city of music enthusiasts. I just can’t believe that the gig wasn’t sold out as a line up like this shouldn’t be missed.

Rating: 9/10

Bloc Party